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Working Group, author name and title of accepted PAPERS for the Triennial Conference.

Please note the following:

  • Chinese authors are listed by family name first, followed by the given name.
  • The list may change and is ordered by Working Group, not in order of presentation.

Archaeological Materials and Sites

  • Where there is a will, there is a way: Preserving the bedding on detached mosaicsChlouveraki, Stefania, Eleftherios Charalambous, Theocharis Katrakazis
  • Fifty-plus years of on-site metals conservation at Sardis: Correlating treatment efficacy and implementing new approachesFrank, Emily, Brian Castriota
  • Conservation and preservation strategies for royal painted tombs in Kurru, Sudan: Acknowledging the past while planning for the futureHatchfield, Pamela, Camille Bourse, Everyn Mayberger, Jan Cutajar, Janelle Batkin-Hall
  • Bronze corrosion on archaeological sites: Correlation of past and present microenvironments via in situ pH, chloride and redox measurementsMacLeod, Ian Donald, Alice Boccia Paterakis
  • Identification and analysis of floor mosaic substructures revealed by ground-penetrating radarMaris, Christos, Meropi Manataki, Apostolos Sarris
  • Identification of polymer-based artefacts from the former Wheeler Residence at the Mernda archaeological site in Victoria, Australia: A comparison of attenuated total reflectance and reflectance spectroscopic techniquesWong, Sharon Shu Hui, Petronella Nel, Barbara Stuart, Clare Kim
  • Research on the comprehensive protection of the Xi Xia Mausoleums siteXiaoyan, He, Ning Jin

Art Technological Source Research

  • Paintings by Carlos Vergara – Building a library of materialsCorrêa Maia, Marilene, Renato Freitas
  • "The Doerner": An artists’ manual, art technological reference, and international long-sellerKinseher, Kathrin, Erchang Yao
  • Practice, process, and prints: Degas’ "Dancers Practicing in the Foyer"Schmidt Patterson, Catherine, Line Clausen Pedersen, Devi Ormond
  • Unlocking histories: The Schoenfeld / LUKAS archive and its potential for art technological researchSchwaderlapp, Vanessa Maria, Inken Maria Holubec, Gunnar Heydenreich
  • The concept of authenticity in modified mounting formats for traditional Chinese paintings and calligraphyYu, Li


  • Borrowed or reassigned? Understanding the technique behind King Ramses IV’s reused coffin through visualization methodsBadr, Nour, Akiko Nishisaka, Eid Mertah, Moamen Othman, Mohamed Abdel-Rahman, Mahmoud El Behairy, Nabila Hassan, Ahmed Tarek
  • Distinction of green pigments from yellow mixed with blue and black using multispectral/multiband imageryBechstedt, Janin
  • Contribution patterns in a Citizen Heritage Science experimentBrigham, Rosie, Adam Frost, Josep Grau-Bove, Lewis D Griffin, Lyn Wilson, Matija Strlic, Marek Barwinski, Scott Orr
  • Cleaning paintings using in situ monitoring with complementary imaging techniques: Three-dimensional morphological measurements and reflection FTIR spectroscopyMatsuda, Yasunori, Shinnosuke Ono, Mikako Katagiri , Sai Sanada , Takashi Mizuochi
  • Authenticity, Instagram and the artist archive: Contemporary approaches to building a secure artist record in Indonesia O'Donnell, Eliza, Nicole Tse, Robyn Sloggett

Education and Training in Conservation

  • Execute, evaluate, repeat: Implementing an integrated Art + Science interpretation strategy at the Art Institute of Chicago Casadio, Francesca, Emily Lew Fry, Sarah Molina, Giannella Ysasi-Tavano
  • Improving transfer in the education of conservator-restorersDi Pietro, Giovanna, Andreas Buder, Manfred Künzel
  • Using complexity to deliver standardised educational levels in conservationHenderson, Jane , Phil Parkes
  • Science in the art conservation curriculum II: Views of conservators Murray, Alison, Kyna Biggs
  • Mid-career scientific training for 21st-century conservators: Methodology, research, and practice at the IIC International Training Centre at the Palace Museum, BeijingNevin, Austin, Sarah Staniforth, Chan Shin-wai, Fang Xiaoji, Lei Yong, Shin Ningchang, Song Jirong
  • 'Old Goa Revelations': A collaborative project for the shared heritage of India and PortugalTeves Reis, Teresa, Ana Machado, António Candeias, Fernando Pereira, Mónica Reis, Sara Valadas, Teresa Caldeira, Luís Piorro
  • Public conservation at the Mauritshuis: Educating the technical art historians of the future Vandivere, Abbie, Carol Pottasch

Glass and Ceramics

  • Damage assessment and mitigation measures for enamels displayed in historic buildings Downes, Sophie, David Thickett, Sarah Lambarth
  • Curious compounds – Investigating the variety and structure of calcium acetate efflorescence on calcareous objects by XRPDEggert, Gerhard, Robert E. Dinnebier, Sebastian Bette
  • From cuneiform to contemporary: The conservation of unfired clay O'Connor, Ariel
  • Scientific study on archaeological glass finds from the Qiemo kingdom unearthed along the southern route of the Silk Road in XinjiangQian, Cheng, Guo Jinlong, Wang Bo
  • Understanding Chinese snowflake glass: A collaborative research projectvan Giffen, N. Astrid R., Harry Seaman, Shelly Xue, Gregory Merkel
  • Material investigation of cold-painted funerary ceramics of the Han dynasty Wertz, Julie, Angela Chang, Georgina Rayner, Katherine Eremin, Melissa Moy, Susan Costello

Graphic Documents

  • Using physical data to reassess transport and handling policies at the British LibraryGarside, Paul, Lesley Thomas, Karen Bradford
  • Advances in mending Chinese paper and books using fresh bamboo pulpHsieh, Paul, Yuan Jian-zeng
  • Interdisciplinary approaches to the conservation of paper and photographic collections for the opening of M+ MuseumHuang, Jo-Fan, Christel Pesme
  • Testing storage materials for paper-based archivesLankester, Paul, David Thickett
  • Evaluating the conservation quality of Chinese handmade paper: A case study on paper from Shiqiao village, Guizhou Province, ChinaLiu, Yuhui
  • From excavation to exhibition through cross-border cooperation: The journey forth into the light of the oldest inscribed papyriMenei, Eve, Mohamed Othman Moamen, Pierre Tallet
  • Klucel hydroxypropylcellulose: Its impact on artificial ageing and consequences for conservation usage – A case studyPataki-Hundt, Andrea, Charlotte Bretzendorfer, Marlen Börngen
  • Fit for an emperor: Akbar’s luxury manuscript of the Baharistan of Jami and its conservation Stiglitz, Marinita, Celine Delattre, Fiona McLees
  • Iron on paper or ‘how beautifully the lines of force represent the disposition of the magnetic power’: Preserving Michael Faraday’s experiment results in the Royal Institution’s archiveWyszomirska-Noga, Zofia
  • An assessment of the material properties of Tibetan manuscripts from the 19th–20th century – Preliminary results Yujia, Luo, Matija Strlic, Charles Willard, Quan Wei

Leather and Related Materials

  • Method development for the identification of Russia leather - A comparative study of waterlogged leather samples Troalen, Lore, Alison Hulme, James Weatherill, Laurianne Robinet, Elise Blouet, Sylvie Heu-Thao, Logan Mackay
  • Study on bonding reinforcement techniques in the restoration of ancient shadow puppets Yue, Huang

Legal Issues in Conservation

no presentations


  • Painting a bronze sculpture? Decision-making for the conservation of 'El Caballito'Contreras-Vargas, Jannen, J. Ezequiel Romero-Chavez
  • Impact of previous chemical treatments and environmental storage conditions on miniature agricultural implements from Tutankhamun’s tombElmarazky, Abdelaziz, Hussein Kamal
  • The preservation of metalwork in the Kathmandu Valley: Reflections on past and current practicesGänsicke, Susanne , Nutandhar Sharma
  • Groundbreaking approaches to green and sustainable metals conservationJoseph, Edith
  • Enameled steel in modern and contemporary art. A collaborative study on techniques, analysis, and conservationPerugini, Flavia, Richard Newman
  • The synergy of craft, conservation, and cutting-edge technology: Conservation of arms and armour at the City Palace Museum, Udaipur, India Singh, Vandana, Hansmukh Seth
  • Managing silver tarnishThickett, David, Kathryn Hallett
  • Edo-period bronze mirrors: Technical investigation and conservation of their reflective sideYijia, Shen, Fabio Aramini, Giuseppe Guida, Loretta Paderni, Vilma Basilissi, Gianfranco Priori

Modern Materials and Contemporary Art

  • An inclusive approach to modern artworks living on modern architectureBeerkens, Lydia, Angelique Friedrichs
  • "Ether Body": Materiality and transcendenceCone, Louise, Birgitte Anderberg, Claus Carstensen
  • In search of a perfect bond: An evaluation of potential adhesives to repair transparent poly(methyl methacrylate) objectsLagana, Anna, Ella Hendriks , Maarten van Bommel, Michael Doutre, Michal Lukomski , Melissa David
  • The decay of PMMA and its conservation treatment: The case study of a kinetic work Lanza, Maria Cristina, Giancarlo Sidoti, Paola Iazurlo, Maria Elisabetta Prunas
  • Unfolding interactions in the preservation of performance art at TateMarcal, Helia, Louise Lawson
  • Richard Deacon’s "Never Mind" (1993–2017): The remake is the original? Negotiating the identity of a re-fabricated outdoor sculptureMeul, Veerle
  • Transparency in the age of replicationRojas-Sebesta, Clara , Margo Delidow
  • Already out of fashion: The fashionable rise and chemical fall of thermoplastic polyurethaneScaturro, Sarah, Adriana Rizzo
  • The conservation of "Città irreale" (1968–69) by Mario Merz: How to prolong the life of an Arte Povera workWeerdenburg, Sandra, Franziska Klinkmüller, Rebecca Timmermans

Murals, Stone, and Rock Art

  • Two common dry mechanical cleaning methods for lime-based wall paintings – The problem of residuesBrajer, Isabelle, Kathrine Segel, Michelle Taube, Anne Winding, Martin N. Mortensen
  • Enhanced recognition of multispectral digital images of Dunhuang murals using DStretch based on the Karhunen-Loève transformChai, Bolong, Su Bomin, Wang Zhuo, Yu Zongren
  • The Shekhawati Project: International and interdisciplinary collaboration for the conservation of Rajasthan wall paintingsCotte, Sabine, Anu Khandal, Cecile Charpentier, Harpreet Tanday
  • Development of a neural network approach for automated recognition of prehistoric carvings at StonehengeLeong, Gavin, Matthew Brolly
  • Determining decay mechanisms on engraved rock art sites using pH, chloride ion and redox measurements with an assessment of the impact of cyclones, sea salt and nitrate ions on acidityMacLeod, Ian Donald, Warren Fish
  • The modern Catholic wall paintings by Gino Severini in Switzerland: An integrated technical study Pique, Francesca, Camille Noverraz, Margherita d’Ayala Valva, Paola Iazurlo
  • Removing soiling from medieval lime-based wall paintings with water-loaded Nanorestore Gel Peggy 6 Segel, Kathrine, Isabelle Brajer , David Chelazzi, Charlotte Martin de Fonjaudran, Hanna Eriksson, Ingrid Wedberg, Rodorico Giorgi
  • A model to assess insolation impact on painted rock surfacesThorn, Andrew
  • Ensuring the sustainability of conservation: Monitoring and maintenance in the tomb of TutankhamenWong, Lori, Hany Hussein, Sara Lardinois, Neville Agnew, Ramadan Salem Mohamed Bedair

Natural History Collections

  • One cat just leads to anotherHovmand, Ida, Dorte V.P. Sommer, Kim Pilkjær Simonsen

Objects from Indigenous and World Cultures

  • The Bisj Pole Conservation Project at the Tropenmuseum: Pesticide mitigation during conservation treatmentHensel, Jessica, Martijn de Ruijter, Luc Megens
  • Challenges in the conservation of collections in open-air museums in Cameroon: Endogenous techniques and resilience—The case of the Museum of BatoufamHeumen Tchana, Hugues
  • Scientific analysis of indigenous materials in Indian palm-leaf manuscriptsSharma, Deepakshi , M. Velayudhan Nair, Manager Singh
  • Artefact access: The gulf between theory and practiceSmith, Catherine, Ranui Ngarimu
  • A subtle shift: The care and use of indigenous belongings after the 'Calls to Action' Swierenga, Heidi


  • Jan Steen’s eclectic use of green and blue pigmentsAlbrecht, Marya , Ralph Haswell, Sabrina Meloni, Victor Gonzalez, Annelies van Loon, Onno de Noord
  • Canvas-related microcracks in Danish 19th-century paintingsAndersen, Cecil Krarup, Troels Filtenborg, Mikkel Scharff
  • “Copy and Paste”: An integrated approach to a traditional field of Chinese paintingHsiao, Yi-Hsia
  • Revisiting cleaned acrylic emulsion painting surfaces ten years on: Observations and reflectionsOrmsby, Bronwyn, Judith Lee, Angelica Bartoletti, Letizia Monico, Odd Lundsbakken
  • Investigating the transition period from colored to white preparatory layers in 18th-century French canvas paintings: A retrospective study Salvant, Johanna, Claire Bétélu, Clara Negrello, Elisabeth Ravaud, Guillaume Faroult, Myriam Eveno, Gilles Bastian
  • Splashed across the page: Understanding Joshua Reynolds’s paint media through analysis of drips in his pocket booksvon Aderkas, Nelly, Alexandra Gent, David Peggie
  • Max Pechstein’s "Sommer in den Dünen": Joint research on the intended surface aestheticsWeber, Fanny
  • Study on the application of an automatic hyperspectral scanning system to investigate Chinese paintingsYong, Lei, Duan Peiquan, Chen Yao, Li Guanghua, Qu Liang, Sun Xuejian, Zhang Hongming

Photographic Materials

  • Reprint and destroy? Wolfgang Tillmans' artistic practice: The reprinting and the intentional destruction of large-format inkjet printsMarchesi, Monica
  • Light matters: Photographic material related to Vilhelm Hammershøi and his circle Vila, Anna, Birgit V. Hansen, Gertrud Oelsner, Annette R. Hvidt, David Buti
  • Developing strategies for the preservation of film collections – Integrating NIRS analysis as a part of the processWinther, Thea, Agnes Blüher, Joakim Andersson, Dirk Lichtblau

Preventive Conservation

  • The influence of preventive conservation on cultural relics in grottos undergoing conservation in ChinaAn, Cheng, Cui Guanghai, Zhang Rong, Zheng Yu
  • Mind the gap – Developing new display cases for the manuscripts of Anne FrankAnkersmit, Bart, Teresien da Silva
  • Loans to non-museum organisations: Concepts for crossing boundariesBrokerhof, Agnes, Daphne Nieuwenhuijse, Hester Lensink, Marja Peek, Nathalie Menke, Renate van Leijen, Simone Vermaat
  • Comparison of temperature and relative humidity analysis tools to address practitioner needs and improve decision-makingCosaert, Annelies, Vincent Beltran
  • The use of ‘combined reporting’ to support preventive conservation at the British LibraryGarside, Paul, Karen Bradford, Sarah Hamlyn
  • Modelling and performance evaluation of storage enclosuresGrau-Bové, Josep, Matija Strlic, Himantha Cooray, Morana Novak, Scott Allan Orr
  • Investigation of pests in the thangka storerooms at the Palace Museum, Beijing Guoqing, Zhang, Qu Yajie, Zhang Rui, Zhao Li
  • Preventive conservation training: A partnership between the UK and Myanmar Henderson, Jane , Alex Dawson, Amy Crossman, U Kyaw Shin Naung
  • Comparing the air quality performance in unoccupied storage buildings between mechanical ventilation and semi-passive climate controlHjerrild Smedemark, Signe, Jørn Toftum, Morten Ryhl-Svendsen
  • Principles for developing low-cost, sustainable stores Lankester, Paul, Amber Xavier-Rowe, David Thickett
  • Environmental control of algal growth on the wall paintings in Hoejerup ChurchLarsen, Poul Klenz, Isabelle Brajer
  • For whose benefit? Integrating people and conservationLloyd, Helen, Katy Lithgow
  • Surface alteration of Japanese lacquers on exposure to (UV-free) lightPretzel, Boris
  • Taming the beast: Preservation and display of the Whitechapel fatbergRobinson-Calver, Sharon, Andy Holbrook, Vyki Sparkes
  • Illuminating yellow and red feathers in museum exhibits: Microfading tests and light sensitivity of their bio-pigmentsTournié, Aurélie, Éléonore Kissel, Céline Daher, Christine Andraud, Fabrice Sauvagnargues, Jacques Cuisin, Véronique Illes
  • Decontaminating an entire museum collection affected by asbestosvon Lerber, Karin, Stephan Baumann, Daniel Gervasi

Scientific Research

  • The opportunities of a global, shared research infrastructure for the conservation communityCassar, JoAnn, Matija Strlic
  • Unveiling the importance of diffusion on the deterioration of cellulose acetate artefacts: The profile of plasticiser loss as assessed by infrared microscopyDa Ros, Simoní, Isabella del Gaudio, Katherine Curran, Argyro Gili, Bronwyn Ormsby, Deborah Cane, Joyce H. Townsend
  • Numerical modeling of metal soap formation and microcracking in historical oil paintingsEumelen, Gijs, Emanuela Bosco, Akke Suiker, Annelies van Loon, Piet Iedema, Joen Hermans, Katrien Keune
  • Study of water-soluble light aging products on Asian lacquer surfacesHan, Jing, Marianne Webb, Michael R. Schilling, Herant Khanjian
  • Analysis of the royal seals of the National Palace Museum of KoreaHyoyun, Kim, Kang Seounghee, Kwon Hyuknam, Lee Myeongseong
  • Standoff laser spectroscopy for wall paintings, monuments and architectural interiorsLiang, Haida, Alex Hogg, Sotiria Kogou, Stig Evans, Yu Li, C. S. Cheung
  • Study on the application of amino acid analysis to evaluate the degradation degree of ancient silk fabricsLiling, Jia, Zheng Hailing, Zhou Yang
  • Dose-response modelling for the discolouration of historical iron gall ink on paperLiu, Yun, Tom Fearn, Matija Strlic
  • Observation and analysis of Zwischgold on late medieval sculpturesQing, Wu, Erwin Hildbrand, Peter Wyer, Tiziana Lombardo, Vera Hubert, Benjamin Watts, Frithjof Nolting, Katharina Schmidt-Ott, Rainer Fink
  • Determination of the endurance limit of a paint layerRoche, Alain
  • Reassessing the ResinKit as a plastics reference collection for cultural heritage researchSmith, Gregory, Heidi V. Kastenholz, Michael J. Samide, Anne M. Wilson
  • Study on the rapid detection of mold contamination on paper using the fast GC e-noseTan, Zeng, He Na, Tang Huan, Wang Chun
  • Increasing evidence-based decision-making for loan agreementsTaylor, Joel, Michal Lukomski, Lukasz Bratasz
  • Photospectrometric characterization of pigments using an unprocessed xenon light sourceThorn, Andrew
  • The application of deep learning to automatic image recognition of bronze waresWan, Jiang, Gao Huaguang, Yao Na, Zhang Huiyan
  • Application of hyperspectral imaging technology to the analysis and research of Chinese paintings and calligraphyWangting, Wu, Hou Miaole, Lv Shuqiang

Sculpture, Polychromy, and Architectural Decoration

  • Cyclododecane as protection for water-sensitive polychromy during water bath desalination of limestone sculptures: The case study of a mid-15th-century wall-mounted memorial from the Burgundian NetherlandsDe Clercq, Camille, Sebastiaan Godts
  • A technical study of exceptionally preserved polychromy and gilding on a Roman marble headDine, Haddon, Glenn Gates, Lisa Anderson-Zhu, Mark Abbe, Angela Elliott
  • Tracing the past: Observations on a gilded marble relief attributed to Francesco di Simone FerrucciHatchfield, Pamela, Paolo Parmiggiani
  • Illuminating Japanese Buddhist sculpture: Conservation, history, analysis, and presentationHykin, Abigail , Evelyn Mayberger, Linsly Boyer
  • An ethnographic approach to developing new conservation strategies for the archaeological clay-based sculpture of the Silk RoadLópez-Prat, Mònica, Begoña Carrascosa, Domenico Miriello, José Simón-Cortés, Sudipa Ray Bandyopadhyay
  • The altar by Veit Stoss in Krakow: Main issues involved in a complex conservation research projectMartynowicz, Iwona, Jaroslaw Adamowicz, Marcin Strojecki, Michal Plotek
  • Recovering networks: The polychromy of Portuguese medieval sculptureSá, Sara, Carla Varela Fernandes, Isabel Pombo Cardoso, Maria João Vilhena
  • The many faces of Guanyin: Conservation and context of a bodhisattvaTom, Cybele, Clara Granzotto, Ken Sutherland


  • Preserving a sleeping beauty: The remodelling of a baroque state bed and developing strategies for its long-term displayFranzon, Maria , Kriste Sibul
  • Electrolytic cleaning of silver threads – Effects of electrolytes on the condition of silkHindborg, Karin, Elyse Canosa, Stavroula Golfomitsou, Marei Hacke
  • The wabi-sabi of 'boro' rags and the art of textile conservationIshii, Mie
  • Strain development in historic tapestriesMáximo Rocha, Pedro, Alejandro Schrott, Constantina Vlachou-Mogire, Dina D’Ayala, Levente Klein, Mika Takami
  • Repair and protection of umbrella fabrics at the Hangzhou Arts and Crafts MuseumNa, Chen, Yang Hailiang
  • Analysis and conservation of painted silk colours: Protecting paint and dyes with barriersNilsson, Johanna, Marei Hacke
  • Diversified treatment for fragile ancient Chinese silksShujuan, Wang, Lou Shuqi, Wang Xiaofei, Yang Rulin, Zheng Hailing
  • Mystery solved! Conservation and analysis as problem solvers for a group of metallic decorative braids from the excavation of the Holy Temple of the Assumption of the Virgin Mary, Thessaly, GreeceTsatsouli, Konstantina, Stylianos Lamprakopoulos, Dimitrios Lampakis, Stefanos Zaoutsos
  • Early 16th-century mix-media retables: Study and conservation of the silk flowers in the Enclosed Gardens of MechelenWatteeuw, Lieve, Ina Vanden Berghe, Joke Vandermeersch

Theory, History, and Ethics of Conservation

  • An integrated conservation approach to a historic collection: The controversial varnishing of Munch's paintingsFord, Thierry
  • Conservation between scientific methodology and laboratory application: An integrated approach to past and present challengesHamza, NagmEldeen, Mie Ishii , Eslam Shaheen
  • Intervention vigilance in conservation: Lessons from the medical professionHill, Joshua, Ilsa Haeusler
  • Transcending boundaries in the use of concepts: The case of antifragilityHoubart, Claudine, Muriel Verbeeck
  • Towards a relational ontology of conservationMarcal, Helia
  • Interventions: Contesting time, expertise and perspective in conservation decision-makingO'Grady, Caitlin
  • Japanese painting: The history of restoration techniques and principlesOka, Iwataro
  • Mock-ups and materiality in conservation researchStoveland, Lena Porsmo, Bronwyn Ormsby, Martje Stols-Witlox, Noëlle L. W. Streeton
  • New expectations for conservation in Norway in the 1960s: Bjørn Kaland and the altarpiece from HolmedalStreeton, Noëlle L.W., Alexandra Böhme
  • What do we talk about when we talk about 'future generations'? Taylor, Joel, MaryJo Lelyveld
  • “As much as is necessary for the harmony of the picture not to be disturbed”: The materials and methods used during the 1945–47 treatment of 'The Night Watch' by Rembrandtvan Duijn, Esther
  • Intentio operis. From the "enclosed garden" to the open workVerbeeck, Muriel

Wet Organic Archaeological Materials

  • Experimental study on the consolidation of decayed wooden planks on the Quanzhou Ship: A discussion of the possibility of retreatmentDawa, Shen, Fei Lihua, Hu Pei, Li Naisheng, Lin Yongfeng, Tian Xingling, Wu Gengfeng, Zeng Guoqiang
  • Silk fibroin consolidation and tracking of the protective effect on ancient saturated silk fabricsHailing, Zheng, Zhou Yang
  • Non-destructive assessment of conserved archaeological wood using computed tomography Stelzner, Ingrid, Joerg Stelzner, Markus Wittkoepper, Philipp Schuetz, Damian Gwerder, Jorge Martinez-Garcia, Markus Egg, Waldemar Muskalla

Wood, Furniture, and Lacquer

  • Analysis and conservation treatment resolutions for the decorative interiors of the buildings in the Qianlong Garden in the Forbidden CityBuck, Susan
  • Coromandel lacquer diversities in the Qing dynasty Chang, Julie, Michael Schilling, Ian Freestone
  • Non-invasive dendrochronology – Pushing the boundaries of the techniqueDaly, Aoife, Bettina Ebert
  • The role of international projects in popularising knowledge on urushi lacquerware treatments in Central EuropeGuzowska, Anna, Joanna Koryciarz-Kitamikado, Shigeru Kitamura
  • Hold tight! Innovative 'shimbari' systems for the stabilization of surfaces Hausdorf, Daniel, Christina Hagelskamp, Joseph Hutchins
  • Chinese lacquer decorations for Catholic European consumers in the 16th and 17th centuries – Stylistic and technical evolutionsKörber, Ulrike, Michael Schilling, Cristina Dias
  • Reflections and transflections on gilding: A preliminary investigation of coatings on gilded picture framesMcGowan-Jackson, Holly, Raymonda Rajkowski
  • A collaborative, multidisciplinary and multi-analytical approach to the characterisation of 'barniz de Pasto' objects from the V&A collectionsMelchar, Dana, Brenda Keneghan, Richard Newman, Vincent Fernandez, Lucia Burgio
  • New contributions on the use of Toxicodendron succedaneum in Cantonese lacquerwarePetisca, Maria , Catherine Matsen
  • Research on the construction of Qing dynasty lacquerware in the Palace Museum collectionXueyan, Zhang, Gao Han, Lei Yong, Qu Liang, Shang Suhong, Shi Ningchang, Wang Luyi, Wang Xiaojun
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